Book Chapters

Moreno-Almeida, C. & Keith Broni. 2025 “Becoming: the future possibilities for emojis as a dynamic medium. In conversation with: Keith Brono and Cristina Moreno-Almeida”. Jack Thomas Taylor & Katy Gillett (eds), A Glossary: Memememememe, Qatar: Media Majlis Museum - Northwestern, pp. 86-91.

Moreno-Almeida, C. 2025. “Informal Opposition Politics in Arts, Culture, and Youth.” In Francesco Cavatorta, Eoin O’Malley and Alex Baturo (eds), The Handbook of Political Opposition, Edward Elgar Publishing.

Moreno-Almeida, C. 2023. “Moroccan Hip Hop Queens: A (Her)Story of Moroccan Rap.” In Loubna Skalli Hanna & Nahed Eltantawy (eds), The Palgrave Handbook of Gender, Media and Communication in the Middle East and North Africa, Palgrave McMillan, pp. 447-464

Moreno-Almeida, C. “Dis-meme-bering Al-Andalus: The Memetic Afterlives of the Andalusi song “Chams al Achya.” In Charles Hirschkind & Matthew Machin-Autenrieth (eds), The Musical Afterlives of al-Andalus: Identities and Encounters beyond History, Open Book Publishers (forthcoming 2024).

Moreno-Almeida, C. “Moroccan Hip Hop Queens: A Herstory of Hip Hop Culture in Morocco” In Loubna Skalli Hanna & Nahed Eltantawy (eds), Palgrave Handbook on Communication and Gender in MENA, Palgrave McMillan (forthcoming 2022)

Moreno-Almeida, C. 2020. “Forgotten Encounters: Sounds of Coexistence in Moroccan Rap Music.” In Sami Everett & Rebekah Vince (ed), Jewish Muslim Interactions: Performing Cultures between North Africa and France. Liverpool: Liverpool University Press, pp. 161-180

Moreno-Almeida, C. 2016. “‘Race’ and ‘Blackness’ in Moroccan Rap: Voicing Local Experiences of Marginality.” In Alex Lubin and Marwan Kraidy (eds.), American Studies Encounters the Middle East. Chapel Hill, N.C.: The University of North Carolina Press, pp. 81-105

Moreno-Almeida, C. 2016. “Imagining the Enemy: The Role of Patriotic Rap Songs in Curbing Critical Voices in Morocco.” In Najib Mokhtari (ed), Decentering Patterns of Otherness: Towards an Asymmetrical Transcendence of Identity in Postcolonial MENA. Rabat: Babel; UIR Press, pp. 187-201

Moreno-Almeida, C. 2014. “From the West Coast to Tangier: Translocal Hip Hop in the New Morocco.” In Alex Lubin (ed), Shifting Borders: America and the Middle East/North Africa: proceedings of the fourth international conference sponsored by CASAR at AUB, Beirut: American University of Beirut Press, pp. 81-91

Moreno-Almeida, C. 2014. “‘Arab Spring’ and Hip Hop ‘Cool.’” In Said Graiouid and Taieb Belghazi (eds), Migration, Human Rights and the Politics of Identity in a Globalized World, Rabat: Faculté des Lettres et des Sciences Humaines de Rabat, pp. 223-237